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Aaron Lynn is an actor, writer, and musician. He grew up bouncing back and forth between rural Ohio and Devon, UK. He received his masters in acting with distinction from the Royal Central School of Speech & Drama; received his B.A. in drama at Kenyon College with a minor in music, where he won the Kenyon College Paul Newman Trophy for Best Male Acting Performance; and is an alumnus of Actors Theatre of Louisville's renowned Professional Training Company.

ACTING CREDITS
Film/Media: Head Life Coach (pilot), Mister Manners (Food Network web series), Implicit (indie short), The Date (short, Columbia University MFA), Fatale (short, Columbia University).

London Theatre: In Hell (After Gorky) (Embassy Theatre), To Be A Bat (The Space/Distracted Rat), Hamlet (RCSSD, Illuminations Media), Government Inspector (RCSSD), Cymbeline (Oval House), Mother Knows Best (Spotlight Studios).
New York Theatre: The Glory of the World (BAM); The Christians (Playwrights Horizons); Gregorian (Working Artists Theatre Project); Black Hollow (Ford Studio, Signature Theatre/Columbia University MFA Thesis); Troll King Rises (Schapiro Theatre/Columbia University MFA Project); Two Gentlemen of Verona (Hamlet Isn't Dead); as well as various workshops/readings at New York Theatre Workshop, Vineyard Theatre, The Drama League, Manhattan Theatre Club, Ars Nova, The Lark, Noor Theatre, Rattlestick Playwrights Theatre, Bushwick Starr, and Crashbox Theatre.
U.S. Regional Theatre: The Glory of the World, So Unnatural A Level, That High Lonesome Sound (Humana Festival, Actors Theatre of Louisville); Ryan & Alice (Cincinnati Fringe); A Christmas Carol (Actors Theatre of Louisville). Other Theatre: Cymbeline (Oval Theatre, London); Noises Off, Scapin, Antigone, Icarus and Aria, Hamlet (Bolton Theatre, Ohio); A Steady Rain, Macbeth, Hunting Cockroaches (Hill Theatre, Ohio).

Full C.V. below. Contact Aaron for more info.

“Aaron Lynn gives an impressive performance [in Gregorian] jumping quickly through all four roles, a flawless Armenian accent, spans ten decades and makes it all look effortless, honest, and seamless. Most actors don’t get the chance to showcase this level of versatility in their whole career and Lynn had the opportunity to do so in only a ninety minute play.”

— Theater Scene

“Aaron Lynn as Ferd [in To Be A Bat] is poignant when trying to capture the living essence of his son.”

The Reviews Hub